Artist Statement

I view my current paintings as an extension of the work I did between 2008-2010. In my practice, I am increasingly drawn to the use of materials, especially different fabrics and plastic, which have influenced my focus on layers and boundaries within the medium of painting. My works are characterized by solid and liquid shapes that clash between the layers, creating boundaries that evoke a sense of control over the painting's space. The solid shapes, which are often based on blank and torn paper, serve as an area of control to eliminate unnecessary parts of the painting and create new space within the pictorial space. The tearing of the paper has become an expressive action that adds depth and texture to my work.

I aim to convey a journey in my work, with a spiritual element of breaking through boundaries to reach a higher plane. Through my artistic exploration, I have considered the broader implications of my work, including social, political, and psychological themes, as well as its aesthetic value. The broken lines and boundaries, as well as the peeling away of layers, reveal what is happening beneath the surface, leading to conflicts between layers and mark-making. This conflict reflects my view of the current state of the world. My use of borders and layers, with overlapping surfaces, strong and broken lines, and grids, evokes the struggle between conformity and individuality, spirituality, and materialism.

To ground my work in reality while still abstracting it, I incorporate metaphors and objects directly related to my ideas. My recent works feature cage and trap-like structures that reflect psychological and social themes, such as isolation, censorship, and a false sense of security. My intention is to provoke thought and reflection on the broader themes that my work explores while still creating visually interesting and engaging pieces.